
Oh my, we are flying high now, aren’t we? While the not-inconsiderable success of the past two films provided Disney with reason enough to keep the theatrical animation division open, it was the massive success of a movie called Who Framed Roger Rabbit that caused them to be willing to spend gobs of money on it. A co-production with Warner Brothers, produced by Don Bluth’s producer, a wily young kid called Spielberg, requiring epic amounts of rights...